Behind the Scenes – TOO Human
September 17th, 2008

Posted by Graham

Well this is a little behind schedule, but I honestly forgot I even had these photos. So there we are.

This was a crazy shoot, which is largely my fault. Not only did I have to be at a family function that afternoon but I decided to get all crazy with the shooting. Immediately upon reading Jer’s script, I visualized how the video had to be shot, and I really wanted to run with it.

As a result I storyboarded it, which is uncommon (read: it never happens) but I’m trying to doing it more often.

Despite the challenge, it went very well. Everyone brought “it” and we finished 10 minutes before I literally had to be out the door.

Enjoy this photographic evidence.

Emergency Situation
August 5th, 2008

Posted by Graham

I believe Paul wrote in the script “we can shoot this like ‘High Noon’, so locations are refereced without regard for practicality” or something similar. That means green screen time!

Admittedly, we have a much, much better green screen now than we did then. In the photos below, I’ve included a shot from the “Uwe Boll: Decision 2008” shoot so you can see.

On the upside it was a fairly straightforward shoot. Once I figured out how people would be oriented in the room, we just had to line up the shots. The most difficult one was the over-the-shoulder shot of Matt and Morgan, who are both in the same shot, but split-screen so the desk can be arted in between them.

Green screening can be a tough thing to act on because it require a good concept of spatial relations. You’re always moving around to make sure that the screen is filling the shot behind the action, which results in the actors having no real sense of where they are.

After I got the footage home, I built the room in 3D, and set up a series of virtual cameras at roughly the same locations as the real ones were, and went from there. There’s some screencaps from my 3D program below as well.

Anything you would want to know is covered in episode 01 of Loading Time, so check it out! Tim also took most of the photos below.

The Return of The Bill
July 23rd, 2008

Posted by Graham

Ooo, new blog back-end. Shiny.

This video was shot over two days, as it was fairly special effect intensive for me. Thank god we shot all the green screen stuff on a Tuesday. It gave me a vastly longer amount of time to work on the ninja fight (not that I wasn’t still up at odd hours on Sunday night, but hey!)

We shot all of Paul’s green screen shots as the five ninjas he played first. I’d storyboarded the whole thing the night before, and good thing too, because that way I knew exactly what needed to be shot. However, by-and-large the actual choreography we all came up with at the time. Matt spent most of this time practicing his Naruto hand-signal malarkey.

It’s always difficult for me—who edits the videos and has a mental picture of them in my head—to articulate accurately where I need people to stand for a given shot. It’s even worse on the green screen because ordinarily, I’d move the camera to get a different angle, but that option isn’t present. So I have to explain things like, “Okay, now that way is forward, so you’re looking this way, even though it’s the same shot.” Very strange for the people on camera.

Nate showed up before dark (praise be to summer hours), and we shot all the exteriors. Now Nate… the guy goes from a running gag of never having actual dialogue to one of the longest soliloquies this side of Story Guy, and hadn’t read a word before showing up on set. Sure it took it some time, and some takes, but the dude nailed it. Props to Nate. I mean, Bill also had some tough lines, but he wrote them.

After we were done that, it was pretty dark. But we still needed to shoot Nate’s green screen shots, and Matt’s whole Naruto segment. After that was done, it was off to White Spot for some desert.

A couple days later we got together at Jer’s new pad, and shot the opening and closing scenes. Jer’s bed—as you can see from the photos—is on a loft, so Bill had a bit of a… standing issue. But we figured it out. That whole shoot was fairly straightforward. The only bit we didn’t shoot there was the shoot of Bill and Jer in the really “happy” picture of the two of them. We had meant to do it then, but didn’t have a picture. In fact, that insert was shot on Sunday, at my place, and that’s actually me in the red shirt. See? We don’t tell you everything in the LRRcast. Because I forget to.

The editing took me a great while, with the most complex shots having up to 7 layers, with colour correction and motion blurring as well. Keep in mind that Paul is playing all 4 ninjas in those first shots. One or two shots were split screen, but most were composited. Bill’s script called for a ninja fight “as complex as Graham is willing to do” so I brought it on myself. On Saturday I sent a rough-cut to Alex, who never ceases to impress when it comes to awesome audio. And he continued never ceasing. Further props to Alex.

But most props of all to Bill, who not only fought off the ninja scourge, but wrote his first video for the site, and is back in videos again. Hurray!